The work was shaped by a philosophical reflection on cycles and repetition in the world, and by the search for love within that movement. The red forms turn, extend, and return into one another, creating a structure in which the word eshq (“love”) seems to fold repeatedly into itself and reappear from within the same path.
The broad areas of empty space around the forms make this movement more visible, allowing repetition, curvature, and the relationships between individual elements to become central to the visual experience.
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