In this work, all verses of Surah Al-Kawthar are executed through an approach close to siyah-mashq, where writing moves beyond being merely readable text and becomes an element for constructing form and composition.
The repetition of letters and the continuous movement of the pen transform the page into a dense space of words and rhythm. The use of brown ink also creates harmony between the sacred text, the visual quality of the script, and the atmosphere of the work.
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